Character Stereotyping, Movement Literality & Contaminated Dance/ Program Roughdraft

Main Lesson
1
Undoing Character Stereotyping
According to theater director Cristina Castrillo, from Teatro della Radicci, when one works the character from the text, one's tendency is to relate the character's choices via actor's work on stereotypes. As a matter of fact, in a theater directing course at University of Miami, Theater Department, Steven Svoboda underlined the use of stereotypes as an initial way for the director to delineate the characters of the play. Like Castrillo, Eugenio Barba, director of Odin Teatre, thinks that dancing the character before one begins to memorize the text is the only way one can avoid stereotyping the character and work from the inside out.
2
Avoiding Movement Literality
When making choices on how to move in the space based on the story, choreographer Marianela Boan explains how one can avoid creating movement that, based on the text, may feel quite literal. For this not to happen, one has to continuously layer one's choices. One layer is the improv via stream of consciousness. Another layer is adding the text voice without changing the choreographic structure. Then, one can only voice those words that are essential to the actor's integral expression and leave the rest as subtext. Then, one can add a prop or tangible object to adapt the movement to the needs of holding a prop (in class we use the musician's instrument). Finally, we add the music and let it accompany the structure without compromising its original design. Only those things that are part of the dramaturgy of the piece should be on stage.
3
Embodying Contaminated Dance
In this regard, Boan describes "contaminated dance" as precisely the layering that goes on during the process of creation. Thus, in avoiding literality, one has to contaminate (mixing and layering) the actor's creative output as part of the ongoing process of creation. This is a way in which the actor's choices are continuously challenged in search of new authentic and genuine expression. It is usually the actors who are most surprised when they see how the outcome would have never been as creative if they worked the character from the text, or the dance from the music.
-------------------------------------
Program Rough-draft
S O L O S
1
Untitled
Performer: Enzo Bernardes
Choreographer: Enzo Bernardes
Synopsis
2
Untitled
Performer: Arianna Charran
Choreographer: Arianna Charran
Synopsis
3
Untitled
Performer: Yu Hsuan Chou
Choreographer: Yu Hsuan Chou
Synopsis
4
"I Only Lie When I Love You"
Performer: Alexandra Cirile
Choreographer: Alexandra Cirile
Music: I Only Lie When I Love You by Royal Blood
My piece is about learning to trust myself and not blindly believe what other people tell me about myself. The lyrics of the song relate to my piece because I used to tell myself hurtful things that were not true, and when I learned to treat myself with love I discovered they were lies. The music is also a metaphor for my journey; the song is underpinned by a strong and consistent drumbeat that reflects the steady passage of time. Interestingly, although it is a rock song it does not use an electric guitar, but a bass guitar using an octave pedal. This creates a unique sound characterized by only a single melody, with no distinct chords or harmonies other than those provided by the vocal line. I see this single melody as a strong sense of self, uninfluenced by the noise around it. Even when the vocal harmonies enter, the bass continues uninterrupted, like someone hearing others' opinions and still staying true to themselves.
https://youtu.be/BermIHe03zU?si=_bgR_ZsYUfnaihMR
5
"Better Left Behind"
Performer: Emily Cross
Choreographer: Emily Cross
Music: "Better Than" by Lake Street Dive
A story of outgrowing situations that once felt comfortable, but no
longer serve us. This piece depicts a story of love and loss; the
feeling of supposed security and support leaving you. Realizing that you
were not the one left behind, but the one that outgrew the ones that
left. A story of growth bearing fruit and finding your own destiny.
https://youtu.be/jz5c-Gudc9g?si=x1RP0mWq59LZ3bGU
6
"Sky and Earth and the Flapping of Swan's Wings"
Performer: Seongwoo Jeong
Choreographer: Seongwoo Jeong
Music: Saint-Saens "The Swan"
Synopsis
https://youtu.be/3qrKjywjo7Q?si=3vl__sG_kA5GXw9n
7
Untitled
Performer: Naeun Ju
Choreographer: Naeun Ju
Synopsis
8
Performer: Ally Keller
Choreographer: Ally Keller
Synopsis
9
“Don’t/exist”
Performer: Nina Lee
Choreographer: Nina Lee
Music: Ay Kalisud” by Angelo Favis
My hero’s journey has to do with language loss and learning. Looking at the text I produced and the words I circled, it occurred to me that it took me so many years to even reach a place where I could look at my past in a compassionate way, and then on top of that, I believe this is the first time I will work with this in an embodied way. I certainly feel vulnerable showing this part of me. However, when I reflect on it, I believe I owe it to myself to give myself the gift of exploring and expressing this journey, especially my younger self. If I were performing for her, I would want to give the best performance I could so that hopefully she could see herself represented in a thoughtful and meaningful way.
https://youtu.be/fIRGvXG_D4s?si=TWvs9aN21yfc6Wmn
10
Untitled
Performer: Yaxin Liu
Choreographer: Yaxin Liu
Music:
Synopsis
11
Untitled
Performer: Zhenyi Long
Choreographer: Zhenyi Long
Music
Synopsis
12
"The One Who Flew The Coop"
performer: Nicole Mangione
Choreographer: Nicole Mangione
Music: je te laisserai des mots
https://youtu.be/wsnHTyosZvo?si=-VoLgrA5A3fQMaKl
Synopsis
13
Dreams and Destiny
Performer: Payton McKinnis
Choreographer: Payton McKinnis
Music:
Synopsis
14
Untitled
Performer: Angela Ramirez
Choreographer: Angela Ramirez
Synopsis
15
Untitled
Performer: Wesley Roy
Choreographer: Wesley Roy
Synopsis
16
Untitled
Performer: Mengxue Tan
Choreographer: Mengxue Tan
Music: Dying Alone by Hammock.
https://youtu.be/LFE7JeF56SY?si=Y4xWjid1ezc3JiF3
Synopsis
17
A journey through loss of love
Performer: Caitlin Turner
Choreographer: Caitlin Turner
Music: Casings by Ethel Cain.
https://youtu.be/rmkeOCwQ0kA?si=zW9zCZgwFc7EbU2S
18
Untitled
Performer: Cipriano Valdez-Bell
Choreographer: Cipriano Valdez-Bell
Music:
Synopsis
19
Untitled
Performer: Demi Viavattine
Choreographer: Demi Viavattine
Synopsis
20
Untitled
Performer: Xiaotong Wang
Choreographer: Xiaotong Wang
Synopsis
21
Untitled
Performer: Jiaqi Yu
Choreographer: Jiaqi Yu
Synopsis
------------------------------------------------------------------------
E N S E M B L E S
1
Water
Performers: Nina Lee, Angela Ramirez, Demi Viavattine, Arianna Charran
Choreographers: Nina Lee, Angela Ramirez, Demi Viavattine, Arianna Charran
Music:
In this piece, we explore the many variations and natures that water encompasses.
2
"Nymphs at Play"
Performers: Emily Cross, Nicole Mangione, Payton McKinnis, Alexandra Cirile, Caitlin Turner
Choreographers: Emily Cross, Nicole Mangione, Payton McKinnis, Alexandra Cirile, Caitlin Turner
Music: "Le Carnaval des Animaux: Aquarium" by Saint-Saën
Organic, sychronized movement, depicting young aquatic fairies playing in a wooded creek.
https://youtu.be/OzM3_4AJZNA?si=KWVXbHcoodWs-EtX
3
Orchestra of the Elements
Dancers: Phillip Russomano, Cipriano Vladez-Bell, Wesley Roy, Zhenyi Long
Choreographers: Phillip, Cipriano, Wesley, Phillip, Cipriano, Wesley Roy, Zhenyi Long
Music:
The cosmos weaves together the forces of nature, guiding each element: earth, air, fire, and water toward harmony. Though each element strives for dominance, clashing and struggling for power, a deeper cosmic force orchestrates their movements, driving them toward equilibrium.
4
Untitled
Performers: Yaxin Liu, Xiaotong Wang, Jiaqi Yu, Mengxue Tan
Choreographers: Yaxin Liu, Xiaotong Wang, Jiaqi Yu, Mengxue Tan
Music:
Synopsis
5
Untitled
Performers: Yu Hsuan Chou, Ally Keller, Seongwoo Jeong, Enzo Bernardes, Naeun Ju
Choreographers: Yu Hsuan Chou, Ally Keller, Seongwoo Jeong, Enzo Bernardes, Naeun Ju
Music:
Synopsis
Comments
Post a Comment